Friday, November 06, 2009

Movie Review: The Men Who Stare at Goats: 6/10


The Men Who Stare at Goats starts with the disclaimer: “More of this is true than you would believe,” and the movie needs that declaration, because without it’s just George Clooney with a funny mustache. The fact that some (and who knows how much really) of the film is true is what makes it ultimately worth watching, and not just some wacky, though mostly well-done, throw-away.

Written and directed by Clooney’s Good Night, and Good Luck collaborator, Grant Heslov, it’s the story of Bob Wilton (Ewan McGregor), a reporter in Michigan whose wife suddenly leaves him for, apparently, a one-armed man. In his grief he decides to embed himself in Iraq, but has no way to get into the country until he meets Lyn Cassady (Clooney), a former-army man on a mission.



See it turns out in the seventies, the army tried to put together a top secret group of super-heroes, men who could use their minds, instead of actual weapons (but sometimes also using weapons) to combat the enemy. They were trained to walk through walls and make the heart of a goat stop just by staring at it (hence the title!). Lyn was the most talented member of this group, that ultimately was disbanded for hopefully obvious reasons, and now thirty years later he claims to be on a new mission that he saw in a psychic vision of his former commander, Bill Django (Jeff Bridges). Wilton joins him on the mission, which takes through the deserts to not really anywhere, honestly. The movie cuts back between the history of this group and their current endeavor in Iraq.

The Men Who Stare at Goats is definitely more Leatherheads than it is Good Night, and Good Luck, which is fine, I guess. We need comedies, and we probably even need comedies about Iraq. But it seems to take itself more seriously than that. It seems to think that it’s saying something about the absurdity or our army and of the war on terror. Maybe the army is absurd, and maybe the war on terror is too in its means, but this is just one small piece of much larger story, and so the commentary is a bit lost in the mess of the ridiculousness. It lacks a certain focus.


We’re grounded in reality when we see that the army was torturing it’s detainees by making them list to music from Barney all day long, since itt’s one of those strange facts that we know to be true, but it comes off like just another joke. Lyn is able to use his powers more readily while listening to classic rock—Boston’s “More Than a Feeling,” evidently. Look, it’s a good song. If it comes on the radio, I won’t turn it off. But let’s face it, there are few song choices as trite as that one. It’s funny in the moment, but it also made me roll me eyes, and maybe that’s a good way to sum the movie up too. It seems to rely on a lot of obvious jokes—the supermen were told to act like Jedi warriors, and we’re supposed to and we do chuckle when McGregor asks what a Jedi warrior is—without much of a plot to even follow, just one eccentric character after another.


Ewan McGregor is ultimately fine in the role. His American accent leaves a little be desired here, but as the straight man, he does his job. George Clooney is still in madcap-Burn After Reading-mode, but it works. And the mustache is funny. Kevin Spacey plays the bad seed in the group who’s resentful of Lyn’s “skills.” He didn’t annoy me as much as he normally does though. It’s Jeff Bridges who, though, per usual, steals the show. His Django is almost a variation on the Dude, had he been a military man instead of a bowler. He’s just as good here as he always is and seems to be having fun playing the part. They all do, honestly. And it is a fun movie. The dialogue is snappy, and it is directed competently. It just doesn’t resonate as social commentary or even totally as a satire.

(That’s not to say that you won’t have “More Than a Feeling” stuck in your head for a week after leaving the theatre, though.)

(This also appears on CC2K.)

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Sunday, November 01, 2009

Oscar Predictions - 11/01/09

I've seen a lot since our last check-in. Up in the Air is amazing. It might end up as my favorite movie of the year. A Serious Man is a definitely Best Picture contender. I'm looking forward to checking out Precious next week. I'm going to stick with The Lovely Bones still since no one has seen it yet. We're getting closer and closer. Pretty soon I'll have to update this more regularly. I'm looking forward to it! Oh, and Amelia pretty much bit the big one, huh?

BEST PICTURE:
An Education
Bright Star
The Hurt Locker
Invictus
The Lovely Bones
Nine
Precious
A Serious Man
Up
Up in the Air


BEST DIRECTOR:
The Hurt Locker, Kathryn Bigelow
Invictus, Clint Eastwood
Nine, Rob Marshall
Precious, Lee Daniels
Up in the Air, Jason Reitman

BEST ACTOR:
Matt Damon, The Informant
Daniel Day-Lewis, Nine
George Clooney, Up in the Air
Colin Firth, A Single Man
Morgan Freeman, Invictus

BEST ACTRESS:
Helen Mirren, The Last Station
Carey Mulligan, An Education
Saoirse Ronan, The Lovely Bones
Gabourey Sidibe, Prescious
Meryl Streep, Julie & Julia

BEST SUPPORTING ACTOR:
Matt Damon, Invictus
Alfred Molina, An Education
Christopher Waltz, Inglorious Bastards
Paul Schneider, Bright Star
Stanley Tucci, The Lovely Bones

BEST SUPPORTING ACTRESS:
Penelope Cruz, Nine
Judi Dench, Nine
Anna Kendrick, Up in the Air
Mo'Nique, Precious
Julianne Moore, A Single Man

BEST ORIGINAL SCREENPLAY:
A Serious Man
Bright Star
Broken Embraces
The Hurt Locker
Up


BEST ADAPTED SCREENPLAY:
An Education
Invictus
The Lovely Bones
Precious
Up in the Air



Past Predictions:
10/01/09
09/01/09
08/01/09
06/30/09
02/27/09

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I'm in Love.



And this makes me want to see Precious even more now.

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Tomketeer of the Month: Ben

He's a mover and a shaker.


He's a man about town.


And now Ben is also our Tomkeeter of the Month for November.



He's basically the Halle Berry of Tomketeers--the first man to achieve this honor, and thus he will go down in history. Please join the Tom-Team in congratulating Ben.



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Saturday, October 31, 2009

Lauren's Exit Interview


Now that she's a big star, it was very difficult to get her to sit down with us, but like all Tomketeers of the Month, Lauren was contractually obligated to sit down with the Tom-Team for some parting word. Let's see what she had to say.

T: What did you first think when you found out you had been named "Tomketeer of the Month?"

L: I did cartwheels in my office! (There were no other BC friends to construct a human pyramid.)

T: Did you expect it at all?

L: Despite the fact that I bribed the nominating committee, I managed to be shocked and thrilled upon hearing the news.

T: How has this honor changed your life?

L: Through this experience I learned that you have to do whatever it takes to achieve your goals. All my hard work (the prayers, joining secret societies, and hanging out with past Tomketeers) paid off.

T: You're our first Tomketeer to run a marthon while in office. How did being "Tomketeer of the Month" help you in this endeavor?

L:
I started tiring out at mile 17. However, knowing I had this important role to uphold, I persevered and completed the marathon. I also knew that after achieving my life-long goal of becoming "Tomketeer of the Month," I could do anything.

T: Now that it's over, what's next for you? What can we expect from Lauren in November?

L: My next endeavors are: pursuing a doctorate, competing in the Amazing Race, and serving as America’s next First Lady.

T: What do you have to say to next month's honoree?

L: Enjoy every minute of it. It goes by quickly!

T: Thanks so much for making time for us.

L: Thank YOU, Tom!

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Friday, October 30, 2009

Movie Review: An Education (8/10)


There’s a scene towards the end of An Education where Jenny played by Carey Mulligan, says, “silly school girls are always being charmed by older gentlemen--what’s your excuse? She’s talking to her parents, but she could have just as easily been talking to the audience, and it speaks directly at the issue I was expecting to have with the film before I even saw it. There are so many stories out there about older men and young girls (and I saw it before Roman Polanski’s story came back into the forefront). Does there really need to be another one?

The answer is no. But, An Education, starting right from the opening credits, is full of so much joy, that I’m willing to let it pass. The acting, the writing, the cinematography, and just the general vibe of the movie are so topnotch, that it’s easy to ignore that it’s basically a story we’ve seen before, albeit one told in an interesting way.


The screenplay was written by Nick Hornby, who is best known for his novels High Fidelity and About a Boy. This, his first screenplay, is an adaptation of part of a memoir by Lynn Barber, a journalist in England known for being harsh on her interviewees. But this story takes place fifty years ago when she was finishing school and focused on heading to Oxford…

…Until she meets David (Peter Sarsgaard). He’s older than her, of course, probably in his thirties, and he makes a sparkle appear in Jenny’s eyes. He loves music and art and he has fancy friends and they all smoke and drink and get dressed up to go out on the town. David and his associate, played by Dominic Cooper, are self-made men. They don’t have Oxford educations or any, and yet they live the life that Jenny’s always dreamed of. And like I said, he even charms her parents (her dad played by Alfred Molina at his best), who don’t know, as Jenny finds out, that David has gotten his money from doing some shady, and probably illegal things. Even so she’s right to wonder if Oxford is really worth it. London is at when things were quieter, simpler than the London of the past we sometimes picture, and she doesn’t have a lot of options. Why not go to horse races and wear pretty dresses and listen to jazz music every night. It’s better than becoming a school teacher, isn’t it?


Now, I didn’t love the movie as much as I wanted to and as much a lot of other people have, but watching it is a lovely experience, from the music, to the costumes, to the impeccable dialogue, and mostly due to the endearing presences of Carey Mulligan. This is her first leading role, and you can’t take your eyes off her. (She’s in every scene, so that helps, of course.) She’s going to be a big star after this. There’s no doubt about it. She goes toe-to-toe with Alfred Molina and Emma Thompson (who plays the headmistress at Jenny’s school) and more than holds her own. The movie really belongs to Mulligan, as it should. Whether she decides to go to Oxford or not becomes kind of inconsequential at some point. It’s just kind of wonderful watching Mulligan and Jenny and I think I would have been for whichever decision she made in the end. She makes you believe that no matter what she does she’ll succeed, with or without her affair with the older gentleman.



(This also appears on CC2K, along with my interview with the director. Check it out.)

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Wednesday, October 14, 2009

Kelly Clarkson in Atlantic City














All I have to say is 2nd Row.

We, uh, did a little sightseeing too.







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Saturday, October 10, 2009

I have goose pimples

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Glambert's first single



Does anyone else think this sort of sounds like a David Cook song? This is separate from what will be on his album, but still. This is what Queen was raving about? (The song I mean. I'm sure Adam is still cool.)

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As Good as It Notebooks


I saw these two next to each other at Target a while back, and I keep meaning to post them. It strikes me as funny for some reason.

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Friday, October 09, 2009

Movie Review: A Serious Man (8/10)


Joel and Ethan Coen have been making films together for more than 25 years together now, and they often deal with the same issues of morality over and over again. What happens when ordinary good people are pushed towards doing bad things and the consequences that follow. No Country for Old Men probably speaks to this idea better than any other.

But what does it mean when bad consequences start coming for a good person, who has always tried to do good things? That’s the question that A Serious Man explores. What happens when bad things happen to good people almost at random? What is God’s plan for us? And why is it so difficult to figure out?


The movie is about two men, actually, one more serious than the other. Larry Gupnick (Michael Stulbarg) is a physics professor, who is being considered for tenure, when things start to get a little crazy. One of his students is trying to blackmail him into a good grade. His wife (Sari Lennick) has taken up with a very earnest man named Sy Albeman and wants to get a divorce. They’ve asked him to move out of the house to a local hotel called the Jolly Roger. His brother (Richard Kind), who spends a lot of time draining a cyst, is starting to get into some trouble with gambling. And his kids, pot-smoking, soon to be mitzvahed, Danny (Aaron Wolff), and hair-washing-obsessed Sarah (Jessica McManus), are so self-absorbed that they either don’t notice or don’t care that any of this is all going on around them.

The other man, or almost man, is the pre-mitzvah Danny, who’s only concern is evading the bully who he still owes for pot money, money he stole from his sister, and which gets confiscated in the pocket of a portable radio in his Hebrew school. He’s not concerned with God, or what anything’s happening in his life. He just wants to watch F-Troop.


What makes the movie work is that it’s one of the most thoughtful films the Coens have ever made, but it still has an edge. It’s easily the funniest movie they’ve ever written, and you can feel their other work radiate through it. I’m not kidding when I saw it feels a bit like The Big Lebowski, even if there probably isn’t any thematic link. It’s the combination of their careful editing (which they do themselves credited as Roderick Jaynes), the rock soundtrack, and the vibe of the movie. They’re making a movie about being Jewish in the 1960s (and that only matters for the clothes and the furniture, because really it could take place today too), but they’re cool in a way that they maybe haven’t been before.

And it’s their first film in a while to not star a bunch of famous people, and that makes it small by Hollywood’s standards, but it works. Burn Before Reading possibly would have been better without Brad Pitt and George Clooney. Their stars were a little distracting. Here, the most famous person is Richard Kind (he’s that loud guy from TV—you’d totally know him if you saw him), and he’s totally fearless as the crazy brother. The other actors, Stulhbarg and Wolff especially carry the movie.


Don’t be fooled by the chaotic and totally nutso trailer for A Serious Man. It might turn out to be my favorite movie of the year.

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